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Books you can buy!

16 Sep

starling-1Starling, my M/M romance about Hollywood co-written with Erin McRae (and the first in a series of six) is now out!  You can get it at Amazon | AllRomance | Smashwords | Torquere Bookstore | Barnes & Noble and more for $4.99 – $5.99

Meanwhile, to celebrate its 11th anniversary, Torquere is offering 25% off everything in its store with code Torquere2014. That means you can get Starling for just $4.49 and “Lake Effect” for just $1.87. The coupon is valid through this Sunday only.

Chicks-Dig-Gaming-cover-webNext up, the full table of contents of Chicks Dig Gaming has been released by Mad Norwegian Press. That will be released on November 11, 2014, but you can pre-order it now from Amazon and a host of other sites.  My essay “Castling,” about how I acquired my fairly atrocious chess skills, closes the volume.

 

Thanks for your patience with the lack of commentary here while these, and a number of other projects (some announced, some not), get underway, off the ground, out the door, and into your hands. As a reminder, you can stay up to date on my writing with Erin at Avian30; there’s been a few story sales over there that I haven’t announced here.  Additionally, I have a few pending announcements that are more suitable to this blog that I hope to be able to make soon.

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Chicks Dig Gaming now available for pre-order!

24 Jun

Chicks-Dig-Gaming-cover-webI can finally announce this!  Also, it’s already available for pre-order on Amazon and B&N!

Chicks Dig Gaming: A Celebration of All Things Gaming by the Women Who Love It

Retail Price: $14.95
Release Date: November 11, 2014
ISBN: 9781935234180
Edited by: Jennifer Brozek, Robert Smith? and Lars Pearson

In Chicks Dig Gaming, editors Jennifer Brozek (Apocalypse Ink Productions), Robert Smith? (Who is the Doctor) and Lars Pearson (editor-in-chief, the Hugo Award-winning Chicks Dig series) bring together essays by nearly three dozen female writers to celebrate the gaming medium and its creators, and to examine the characters and series that they love.

Catherynne M. Valente (The Girl Who Circumnavigated Fairyland…, Indistinguishable from Magic) examines Super Mario Bros. through the lens of Samsara, the Wheel of Birth and Rebirth; Seanan McGuire (the October Daye series) details how gaming taught her math; G. Willow Wilson (Alif the Unseen) revels in World of Warcraft; and Rosemary Jones (Forgotten Realms) celebrates world traveler Nellie Bly and the board game she inspired.

Other contributors include Emily Care Boss (Gaming as Women), Jen J. Dixon (The Walking Eye), Racheline Maltese (The Book of Harry Potter Triffles…), Mary Anne Mohanraj (Bodies in Motion), L.M. Myles (Chicks Unravel Time), Jody Lynn Nye (the MythAdventures series), and E. Lily Yu (“The Cartographer Wasps and the Anarchist Bees”). Also featured: exclusive interviews with Paizo CEO Lisa Stevens and Dragonlance author Margaret Weis.

About Mad Norwegian Press

Mad Norwegian Press is a Des Moines, Iowa-based publisher of science-fiction guides, novels and essay book. It was founded by Lars Pearson, a former staffer at Wizard: The Guide to Comics, in 2001.

The company has enjoyed particular success of late as a producer of essay books pertaining to women and fandom – the first being Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It (2011 Hugo Award Winner for Best Related Work), followed by Whedonistas: A Celebration of the Worlds of Joss Whedon by the Women Who Love Them, Chicks Dig Comics (2013 Hugo Award Nominee), Chicks Unravel Time (2013 Hugo Award Nominee) and the related Queers Dig Time Lords (2014 Hugo Award Nominee).

Mad Norwegian also specializes in non-fiction guidebooks to TV shows, and is renowned for its books on Doctor Who (the About Time series, Ahistory, Running Through Corridors).

Exciting word related things

20 Jun

td-lakeeffect1400This weekend, Erin and I are in the deep edits from our publisher on Starling.

Meanwhile, our short story “Lake Effect,” is out from Torquere Press.

When Kyle and Daniel return to their hometown to get married, they find themselves facing an obstacle course of family drama and small-town misadventure in their quest to make it down the aisle.

Misbehaving relatives and a reformed high school bully, along with an ill-advised hookup in the wedding party and a weird late-night meal with a cabbie and his ex-wife, leave the happy couple doubting whether they want to get married at all. But a hot quickie before their walk down the aisle helps remind them that the most important part of getting married is being married.

You can purchase the story as a standalone at Amazon, Torquere, or any number of other major retailers. Or you can purchase it as part of the They Do M/M anthogy, which is also available at Amazon, Torquere, and lots of other retailers.  If you choose to purchase from Torquere, the code PRIDE will give you 20% off everything in your cart until the end of the month.  Please remember, this story does contain sexual content.

Next up, is a thing I can’t announce yet, but will be able to any day now. The information is floating around the ether, and I found out through a Google alert on my name.  I love the future!

Finally, I continue to blog at Romance @ Random, but this weekend I switch from the Penny Dreadful beat to the True Blood beat.

As soon as I can catch a moment (once these Starling edits are in), I plan to catch up here with pieces on Penny Dreadful, the Broadway show Matilda, and another bit of thought on House of Cards.

Blogging about this whole romance author process thing is happening regularly on Avian30, and if you scroll through the last few posts there, you have the chance to win stuff, so you might want to check that out.  Erin and I also have some readings announced in NYC and elsewhere during the Fall and Winter, so you can take a look at that, although I will update the information here once I catch that mythical moment.

The Normal Heart, Penny Dreadful, and prepping for BEA

26 May

Thanks for all the kind words about Pretty Kitty in various social media.

Now that I’ve had a week at home, it’s been an intense media week. I’m finally up to date on Game of Thrones again and am still apparently all about Littlefinger, no matter how creepy he gets or how broadly Aidan Gillan’s accent wanders.

I also have my latest recap of Penny Dreadful up at Romance @ Random. Last night’s episode was more information dump than action, which served me well, as I actually wrote that recap after watching HBO’s The Normal Heart.

If you follow me on Tumblr, you probably know I’m still in a place where I can’t really talk about The Normal Heart which basically felt like 2 hours of PTSD for me (complete with dizzy spells), even as its events are those that mostly take place right before my own stories about being a teen in New York in the 80s.

But it was interesting to watch that film (A film, in which, by the way, every performance is astounding, and regarding which I would like someone that has complaints about Ryan Murphy’s admittedly unsubtle direction to explain me how on earth you’re supposed to go subtle with that subject matter and with a script penned by Larry Kramer. Please use very small words.) and then follow it up with a Frankenstein-heavy episode of Penny Dreadful in which everyone monologues on love and responsibility and abandonment and the ways in which brutal experiences make us brutal.

Certainly, it is not news that we use SF/F and horror content to speak of the world as it is. And that vampires, zombies, werewolves, and the Creature have all been long used to tell stories about contagion and the search for love when othered. But the juxtaposition was so direct, at least on my own laptop last night, that I’m still reeling from it a bit.

For those of you who don’t check in regularly at Avian30, where Erin and I blog together about our co-written works, there’s a bunch of new content up. Of the most interest to readers here is the Paley Center event I went to featuring Ken Burns and Beau Willimon.

Meanwhile, BEA starts Wednesday, so it’s another business and seemingly endless week around here.

What are you watching? What should I be watching? And what books and booths must I absolutely track down at BEA this year?

Starling, and now Doves

27 Mar

Since I anounced that Starling will be out from Torquere on September 10, 2014 there’s more news! Its sequel, Doves, will be out on January 21, 2015 also from Torquere.

While working frantically on more projects (seriously, I have a lot coming at you in multiple genres, I’m just waiting for the okay to speak to several of them) we’ve just started to plan some promotional stuff around Starling‘s release.

Erin and I will be on The Hummingbird Place, a romance novel podcast on August 18, 2014; we’ll be talking about characterization, which is the theme of the episode, which will feature several other great guests.

We’ll also be doing an interview with Raine O’Tierney at The Hat Party on September 10, 2014.  We’ll have giveaways around both, and I can tell you that the one for the The Hat Party will involve an actual hat crafted by Erin like the one that serves as a plot point in Starling.

For those of you that are members of Romance Writers of America’s NYC chapter or thinking about it, I’ll be the author of the month at their meeting on October 11, 2014. The topic will be collaboration.  As an aside, I can’t recommend the group highly enough.  They’ve been a huge asset in helping navigate this very fast moving process.  Meanwhile, I have a quick piece up on their blog about Velvet Goldmine, writing, and stardom.

As we move towards a cover reveal for Starling (this summer), Erin and I are putting together a joint blog for our coauthored work.  We’ll announce that soon, once we populate it with some content.

In the meantime, Glee‘s back, I desperately need to catch up on Vikings, and I need to do some serious processing with you all about House of Cards and various patron saints.  I know all the content right now is like “New content soon!” but truly, New content soon!

Starling

6 Dec

Some of you who follow me on Tumblr may have noticed an increase in random photos of birds, white bedrooms, and gingers.  This is not due to a new pet, a house remodel, or a sudden crush.  It’s actually because Erin McRae and I have written a novel, which we’re happy to report will be published by Torquere Press in 2014 (note: for those of you not familiar, Torquere is a long-time publisher of LGBT romances and there may be some images on that site you may not wish to click through to at work).

Our book, Starling, is a fairy tale about fame and everything that goes right, and ridiculously wrong, when you’re the kid who effectively gets discovered in a diner.  Set in Los Angeles amongst an incestuous group of friends during next year’s television season, Starling is about figuring out how to do life when it feels like the whole world is watching.

Starling is just one of many things in the hopper around here.  I’ve got a bunch of other projects at hand, some with announcements sooner and some with announcements later.  Erin’s working on a ton of stuff too.

Meanwhile, funny story for you:  Always. Check. Your. Spam. Filter.  Because if we had checked ours sooner, we would have been telling you this story a month ago.

Oooopsie.

Luckily, the team at Torquere is lovely.

When we have a specific release date for Starling we will let you know.

 

Catching Fire and the most unsettling sandwich advertising campaign ever

30 Nov

In 2012, the thing that most excited me about the then forthcoming film of The Hunger Games was the associated product tie-in advertising campaigns.  This year, with the release of Catching Fire (which is as compelling as the first film while being a lot more emotionally brutal), I’m stuck on the advertising once again.

A Cover Girl makeup collection with much higher visibility, than the makeup tie-ins of 2012 doesn’t surprise me in the least.  Nor does the luxury chocolate collection.  Sure, they’re uncomfortable, but affection for and playing at movie magic villainy is nothing new.  It’s just that the intense consumerism and reality TV horror strikes a little closer to home in the holiday shopping season and an economic climate that has been rough for a long time now.

What’s perhaps most surprising, however, is the Subway sandwiches tie-in, because while the other product connections arguably position the consumer as part of the wealthy and elite in the Capitol (regardless of what you think of the aspirational quality of Cover Girl as a brand), the Subway promotion explicitly positions the consumer as the resident of a District.

While the book series tells us some in the Districts live well and have enough to eat, the District narrative as we are exposed to it is largely one of struggle, starvation, injustice, exploitation, and poverty.  The Games are part of an abusive system that kills District children and also holds out that political ritual as a ticket to a better individual and collective life.

Everything about the Subway campaign is fascinating, however, in its sheer audacity, and at times, something that I think resembles a deeply unpleasant honesty.  That the sandwiches are touted as “What the Victors Eat” makes it clear that we all need fuel for our (possibly life and death) struggles to survive.

That’s grim enough, but that we’re supposed to be eager to participate in the restaurant-based game through which we can win our own “victory tour” is bizarre, considering how well that works out for Katniss and Peeta and the fact that Victory Tours in the book are about death and, traditionally, insincere mourning as a form of control.

That the promotion also seeks to raise money to Feeding America (by going to a Subway location, taking a photo of their Catching Fire-related promotions, and tweeting it to get Subway to “help donate a meal”) in a way where the effort/reward ratio seems unfortunate at best, also screams particularly loudly of the Capitol and coerced collaboration.

While I don’t think engaging with and enjoying marketing is innately evil even when playing at villainy, or that luxury chocolates, makeup, and unsettlingly marketed sandwiches are our biggest problems, I do think that there are ways to play in the space of The Hunger Games series that do a lot more good than tweeting photos of Subway sandwich posters. These ways include the Odds in Our Favor and We Are the Districts programs from The Harry Potter Alliance.

However, if anyone ever happens to see any industry press on how decisions were made in putting that Subway campaign together, please send it my way.  I’m desperately curious about the audacity vs. didn’t actually read the books/see the movies ratio.

Valerie’s Letter Day

5 Nov

It’s Valerie’s Letter Day, and so I’m posting it again, the way I always do, despite the fact that I have not reread the graphic novel in years or rewatched the movie ever.  Mainly, because I’m afraid to.

Both forms of the story hit at sort of terrible moments in my life.  The college situation, when I first read the graphic novel, I’ve talked about before to probably the fullest extent I’ll ever want to; it leaves out a lot.  The day I watched the V for Vendetta film, alone at a crappy theater in Chelsea, was the day I got sick.

At I first thought was food poisoning, what my baffled doctors suggested might be anything from gall bladder disease to cancer, and what ultimately turned out to be my far less scary but seriously unpleasant celiac disease.  But, for the first week, before all that happened, I thought I was have a psychosomatic reaction to the film’s long montage-based sequences of medicalized torture as political punishment.

When I read Valerie’s Letter, I know grace, poetry, survival, and pride.  When I engage with its larger context, however, I just feel afraid.  As much as that’s terrible, it’s also probably should be.

I’ve whispered I was born in Nottingham in 1957, and it rained a lot to myself more times than I really know how to explain.  I’ve wished that to be something I’ve been less needful of, and over time, it’s even been true; the world as I experience it today is, as relates to Valerie’s letter, barely recognizable from 1989.  And as glad as I am of that, that we have roses (again) and that Valerie never quite was, I am also remain so damn glad of that sentence about a place I’ve never been and a year fifteen before I was born.

I don’t know who you are. Please believe. There is no way I can convince you that this is not one of their tricks, but I don’t care. I am me, and I don’t know who you are but I love you. I have a pencil. A little one they did not find. I am a woman. I hid it inside me. Perhaps I won’t be able to write again, so this is a long letter about my life. It is the only autobiography I will ever write and oh god I’m writing it on toilet paper.

I was born in Nottingham in 1957, and it rained a lot. I passed my eleven plus and went to girl’s grammar. I wanted to be an actress. I met my first girlfriend at school. Her name was Sara. She was fourteen and I was fifteen but we were both in Miss Watson’s class.

Her wrists. Her wrists were beautiful.

I sat in biology class, staring at the pickled rabbit foetus in its jar, listening while Mr. Hird said it was an adolescent phase that people outgrew… Sara did. I didn’t.

In 1976 I stopped pretending and took a girl called Christine home to meet my parents. A week later I moved to London, enrolling at drama college. My mother said I broke her heart, but it was my integrity that was important. Is that so selfish? It sells for so little, but it’s all we have left in this place. It is the very last inch of us…

… But within that inch we are free.

London: I was happy in London. In 1981 I played Dandini in Cinderella. My first rep work. The world was strange and rustling and busy, with invisible crowds behind the hot lights and all the breathless glamour. It was exciting and it was lonely. At nights I’d go to Gateways or one of the other clubs, but I was stand-offish and didn’t mix easily. I saw a lot of the scene, but I never felt comfortable there. So many of them just wanted to be gay. It was their life, their ambition, all they talked about… And I wanted more than that.

Work improved. I got small film roles, then bigger ones. In 1986 I starred in ‘The Salt Flats.’ It pulled in the awards but not the crowds. I met Ruth working on that. We loved each other. We lived together, and on Valentine’s Day she sent me roses, and oh god, we had so much. Those were the best three years of my life.

In 1988 there was the war…

… And after that there were no more roses. Not for anybody.

In 1992, after the take-over, they started rounding up the gays. They took Ruth while she was out looking for food. Why are they so frightened of us? They burned her with cigarette ends and made her give them my name. She signed a statement saying I seduced her. I didn’t blame her. God I loved her. I didn’t blame her… But she did. She killed herself in her cell. She couldn’t live with betraying me, with giving up that last inch.

Oh Ruth.

They came for me. They told me that all my films would be burned. They shaved off my hair. They held my head down a toilet bowl and told jokes about lesbians. They brought me here and gave me drugs. I can’t feel my tongue anymore. I can’t speak. The other gay woman here, Rita, died two weeks ago. I imagine I’ll die quite soon.

It is strange that my life should end in such a terrible place, but for three years I had roses and I apologized to nobody. I shall die here. Every inch of me shall perish…

… Except one.

An inch. It’s small and it’s fragile and it’s the only thing in the world that’s worth having. We must never lose it, or sell it, or give it away. We must never let them take it from us.

I don’t know who you are, or whether you’re a man or a woman. I may never see you. I may never hug you or cry with you or get drunk with you. But I love you. I hope you escape this place. I hope that the world turns and that things get better, and that one day people have roses again. I wish I could kiss you.

– Valerie

Doctor Who in Time and Space: Essays on Themes, Characters, History and Fandom, 1963-2012

10 Mar

978-0-7864-6549-1This snuck up on me because it’s been such a long process but Doctor Who in Time and Space: Essays on Themes, Characters, History and Fandom, 1963-2012 is finally shipping from McFarland. I have a piece in it on “Narrative Conflict and the Portrayal of Media, Public Relations and Marketing in the New Doctor Who,” which, because of the time lines involved in academic publishing, covers the ninth and tenth Doctors, most of Torchwood and The Sarah Jane Adventures.

The whole collection is full of really awesome stuff from fans who are also academics/academics who are also fans, and I’m really excited to finally get to read it. While I wait breathlessly for my contributors copy, you can order it from McFarland’s website at the link above.

Hugo Awards: Link me to your stuff, again

30 Jan

So we’re gonna do this just like we did this last year, and I’m mostly rewriting last year’s post word-for-word.

This time of the year is, among other things, nomination season for the Hugo Awards, and general tradition in SF/F circles is for people to post the list of eligible things they’ve been involved with. For me, this year the only thing that I have that’s eligible is actually this blog in the fan writer category.

Meanwhile, although tomorrow is the deadline for acquiring a World Con membership in order to nominate and vote this year, I still have a month to read a ton of stuff and figure out what I’m going to nominate, so please link me to you eligible titles (or recommended titles from others) so I can get started on that process. 

Other than your awesome, I’m particularly interested in your various short-form recs, as I don’t read enough short stories in general, and it’s a pretty neat genre that highlights the beauty of good structure.  We do not give short stories enough love.

So, if you have stuff, please post in comments with links; meanwhile, please go browse the comments which will hopefully be flowing in shortly and check out anything that so moves you.